Friday, April 6, 2012

Brooklyn Bridge Voyant



Brooklyn Bridge Voyant
__________________

“As I came”
—Arthur Rimbaud
The Drunken Boat

I’m slightly ahead of time—anxious
Impatient to find—the place and formula
Can the door be opened—am I too late?
It’s in the future—beyond Buchanan

Surely I’ll end up in—the Behemoth’s guts
Cosmopolitan swank—archipelago angst
Exiled & phlegmatic—a failed poet
Demon youth—of this being, myself

Metropolitan parapets—electric dawns
Countless cruel days—bottomless heights
Hart Crane voyager—we’ll do tangos
On the Brooklyn Bridge—late at night

Let me voyage—my brooding corpse
Voyant to waves—sad Adieu to Seine
I’ve had it with—myself and villains
The biggest rogue—being myself

As I cross—this impossible Atlantic
I feel a bogeyman—guiding me on
Toward America—naked waiting sons
Foreskins nailed—to tall skyscrapers

What do I care—for Paris anymore?
The English Channel—isn’t wide enough
I need a whole—ocean to getaway
Leaving behind Europe—once & for all

Furious whitecaps—luxurious waves
Emptying my mind—goodbye Parnassians
Westward—great unknown continent
Take me away—from French despair

Angry with that—tempest in teapot
Verlaine the whore—my mousy wife
Kvetching bitch—drowning in ink
More maudlin moody—than even me

Soured youth—disillusioned debutante
Sperm infusing—my milky virgin asshole
My naive drunken boat—sunk by voyeurs
So much for the—Paris intelligentsia

This sleek ocean liner—thru sullen waves
Stalked by whitecaps—slinking depths
Deep in a forest—glass, steel skyscrapers
Enormous Texts—are waiting for me

Forward glances—modern works
Hidden wrecks—prehistoric wonders
Children of El Dorado—orphans of Orpheé
West coast gold rushes—SF Renaissances


Roller Rink Blues



Roller Rink Blues
__________________

I just hated those tacky—
Birthday parties at the stupid
Roller Rink west of town

I was so nelly on skates—
Going around & around that
Crummy little joint’s floor
_______________

But what else can you—
Do in a Kansas Cowtown
Peyton Place Shithole?

Girl’s Choice was always—
So embarrassing because
Nobody would choose me
________________

If only they’d had instead—
Something like Boy’s Choice
I would’ve been an Easy Lay

They all knew I was gay—
Especially the owner who had
The hots for Mommy Dearest
_______________

I had her pretty eyes—
And her nice little behind
He watched me all the time

I’d wiggle it and he’d blow—
His whistle high and low
What a bug-eyed asshole!


Wednesday, April 4, 2012

A FAKE NOVEL ABOUT THE LIFE OF JACK SPICER



A FAKE NOVEL ABOUT
THE LIFE OF JACK SPICER
__________________

“my vocabulary
did this to me”
—Jack Spicer

The sentences—continuously trying
To turn Jack Spicer—into Arthur Rimbaud
Thinking of new strategies—to make him
Go against—the American grain

Arthur Rimbaud—didn’t write
The sullen kid—was written
We sentences—were waiting for them
Both Arthur & Jack—a couple of suckers

It didn’t take long—to queer them both
Like most poets—they were pretty easy marks
When both Rimbaud—and Spicer suffered
That’s when New Literature—was born

Rimbaud was sixteen—and a love object
Miss Verlaine covered him—with thousands
Of obscene kisses—from his pouty lips
All the way down—to his pouty big penis

He was just a naive—Ardennes farm boy
Aggressive & cute—definitely a sure winner
His boyish good looks—his baby blue eyes
And best yet—he had a huge 10-inch dick

Naturally Miss Verlaine—a rabid chicken queen
Fell for the kid—unwinkingly head over heels
Dumping his mousy Wife—quitting his job
Simply blinded by—the kid’s savage good looks

We sentences are—sort of witchdoctors
A Cult of magic syntax—and semenantics
We love to party—and do the down-low
Especially with young—impetuous poets

We sentences—had big plans for Rimbaud
We loved it when—he got loaded & fainted
Jacking him off—all the way down from
Slutty Lane Dullsville—to trees gay Paris

We wanted to proclaim—a New Age
We were eager—for young Rimbaud to write
Wharf rats running—along the Meuse
Soon were crawling—inside his skull

Sentences are dead—we’re not alive
Even bestsellers—end up rotting on shelves
We needed a totally new—Political Novel
French politics & culture—had grown stale

And so a new kid—got born in Charleville
A moody sulky boy—an Ardennes prick
R=I=M=B=A=U=D was his new Name
Paris rumors—started spreading immediately

Big gnarly hands—like a hoodlum killer
Big feet wearing out—his big black boots
One look & Miss Verlaine—almost fainted
While all the Parnassians—simply panicked

Constantly running away—from his home
He got what he deserved—in the barracks
The soldiers butt-fucked—his virgin asshole
Out of spite—he wrote a poem about it

His “Bateau ivre” poem—a Misadventure
Soon he was ghost-writing—our Novel
As Miss Verlaine’s—Internal Bridegroom
His Delirious Homo—Marriage in Hell!!!

All our Queer—Literary critics in Hades
Gave rave reviews—for Rimbaud’s work
His “long awaited” classic—“Illuminations”
Was soon on our—Top Ten Bestsellers List

But even the best plans—of mice & muses
Can fall apart—and sink down into the Meuse
Or disappear, my dears—in the foggy Thames
Drunk Verlaine—tried to shoot Rimbaud

If she couldn’t—have the young stud
Then nobody else—would get him either
She aimed her pistol—down where it hurts
Took a potshot—at Rimbaud’s crotch

Luckily Rimbaud—protected himself
Covering his groin—with his hand
The bullet penetrated—the kid’s wrist
The young voyant’s penis—was saved

We all breathed—a sigh of relief
We’d picked the—wrong Sugar Daddy
For our young—Rimbaud wunderkind
He fled to Africa—can you blame him?

A defeat for us—and a question mark
The Word puts on Flesh—a Teenager
A sixteen year old—chicken Voyant
Undoubtedly a—young French genius

He left behind—many blank books
We Ghost-writers—left in a Lurch
We’d written him—a blank check
We only got—two books outta him

Off into the desert—Rimbaud went
Our young Poet—into the Unknown
He lived with his Arab lover Djami
He could’ve created—a New World

These gone Literary—Histories
Glutting the streets—far down below
Rimbaud left—just enough poetry
For us—to taste the Prize

Poor cursed—Miss Verlaine
Had to live—the rest of her Life
In The Shadow—of her young lover
Her taste just as—bitter as ours

We tried—once again in SF
Picking Jack Spicer—as Rimbaud’s
Studious talented—heir apparent
How his flame burned—So brightly

Tuesday, April 3, 2012

AMERICAN T=R=E=E


AMERICAN
T=R=E=E

__________________

R=O=O=T=S
C=U=M
B=I=G
V=I=E=U=X
F=R=E=E
D=U=D=E
V=E=N=U=S
S=T=I=C=K=Y
H=O=N=E=Y
N=O=R=M=A=L
________________

R=O=O=T=S

“A bitter wind”
—Kit Robinson
“In the American Tree,”
In the American Tree

A bitter taste—American tree
His family jewels—genealogy jizz
Flipping out—the first time
Tasting him—his bitter wad
Coming outta—his big veiny root
Stretching it down—deep inside me
Closing his eyes—oozing it out
A pint of—young teenage TNT
A freshman gymnast—college kid
Totally animal—built like a fine
Fucking—brick shithouse
Big biceps—flat stomach
His arching—Botticelli back
Birth of Venus Torso—thin waist
Straining his nut—getting him off
Letting me—taste his family tree
His heartbreaking—sweet ache
His distended face—enough to
Haunt me—the rest of my life
His runny snotty—American tree
Gnarly, veiny—all for me
Pulling its rope—of babypaste cum
Outta him—way down deep
Inch by inch—yard by yard
All the way back—to the big easy

C=U=M

“Not this
what this?”
—Ron Silliman
“Tjanting,”
The American Tree

“Not that”—he’d say
“Not that—again, man”
“What do—you mean?”
“Not—THAT again…”

But I’d just—ignore him
Starting all—over again
Doing him—even better
The runny, juicy—second time
The tired—muscles
In my hand—were numb
Sore from—jacking him off
Biting his tit—gnawing his nipple
Grabbing his fine—loin-cut behind
Not again!—all morning long
My blistered lips—can’t get enough
He’s so moody—and sullen
But that makes it—even better
The way he struggles—and fights
Against losing it—that hard way
Again and—again the way
The American tree—squirts its brains
The way I like him—losing it bad
When he comes—so very put-upon
Who can blame him—he gives a lot
Always more—than he takes
So very sulky and—not wanting to
But broke—and having to do it
Giving me—his big veiny ROOT
His stinky armpits—uncut foreskin
Tart with smegma—it’s just awful
His exquisite—skanky hors-d’oeuvre
Not again he’d say—every time
Playing hard to get—thick as glue
Hot as dynamite—youngmale man

B=I=G

“Humor my
behemoth!”
—Kit Robinson
“Tribute to Nervous,”
In the American Tree

He really couldn’t—help it much
Being born that way—well-endowed
With his nice big—baby behemoth
Skanky gnarly—American tree
Letting that Root—sink down into me
Spreading my lips—Mississippi wide
Slow & sluggish—down to the gulf
Veiny roots—down thru the bayous
Twisted magnolia—manly hours
Pubes hanging down—Spanish moss
Guzzling cheap JAX beer—getting high
Smoking weed—giving me the jive
What’s in it for me—how much man?
That’s when—all the roofs caved in

V=I=E=U=X

“The idea of the Tree
as I came to think and talk”
—Ron Silliman
“Afterword: A Found For…”
In the American Tree

Big Easy kid—sullen, moody
Vieux Carré—so very sulky
Without his—girlfriend Yvette
Needing it bad—what can I say?
Living in a dorm—it isn’t easy
Especially if—you’re over-sexed
And dick-crazy—like him
Needing to get off—3 times
Three times a day—that’s no lie
Eighteen years old—one big dick
A Big Easy Erection—with 2 legs
What a dreamboat—cute as shit
Call me Mr. Lucky—roommate me
Cheesy cocksucker—to the rescue
How many—desperate times
Coming back—from English class
Unlocking the door—there he was
Beating off like crazy—almost there
Having to hustle—going down fast
Sewanee River—flowing into me
Skipping classes—to get him off
Feeling him up—feeling him down
Waiting to give him—a tongue bath
After a sweaty—gymnastics workout
Sliding my hands—all the way down
His Venus torso—pumped up hard
Long lanky salty—American tree
Sinking his roots—down into me

F=R=E=E

“Writing here has
a literalism of purpose”
—Barret Watten
“METHOD AND
L=A=N=G=U=A=G=E:
AFTER SURREALISM”
In the American Tree

Long lanky—American tree
After he came—I’d do the same
Tasting the root—his family jewels
Invisibly becoming—his genealogy
Later at night—dreaming about him
Nocturnal emissions—even at my age
Pouty pubescent—wetdreams again
He’d laugh at me—I couldn’t help it
It was serious business—being in love
Especially with a guy—built like him
Whose bent root—was already deep
Deep down inside me—growing fast

D=U=D=E

“based on fact
of Dante’s Inferno”
—Kit Robinson
“Tribute to Nervous,”
In the American Tree

Pants zip down—to his ankle
His built physique—in bed with me
On his back—looking at the ceiling
Lazy Lucifer kid—Scorpio rising
He’s surprised—when I tell him
I’ve rented us—an apartment
Over in the ratty—hippie ghetto
With all the—druggies & drop-outs
I wanted some—privacy with him
All to myself—with no distractions
There on West Chimes—by campus
Down from the—Varsity Theater
By Highland Drive—and North Gate
The American Tree—took root there

V=E=N=U=S

“The dangers I did know
were preferable to those
I didn not know”
—Bob Perelman
“An Autobiography,”
In the American Tree

Even when—I did him
Each time was—like first time
Each wad—a virgin wad
Each look on is face—first time
First time—and last time
He never got over—how aggressive
I was with him—giving him head
The look on his face—always shocked
Yvette wouldn’t—do what I’d do
She wouldn’t dirty—her pretty lips
She wouldn’t swallow—that nasty wad
But I would—and I did him a lot
I spoiled him rotten—with oral sex
Oral intercourse—fucking my mouth
Pulling my hair—yanking my ears
Making me gag—gag for some more
Getting him loaded—getting him off
On weed & acid—uppers & downers
The way he became—his gymnast dick
All muscles pumped-up—all that energy
Then unraveling it—like a rubber band
Tightly winded-up—then SPRONG!!!
I wanted to—become him all the way
When he’d faint—I had it my way
All that young male energy—oozing
Seminal sap—of the American tree

S=T=I=C=K=Y

“oh it is twelve!!!”
—Robert Grenier
“Sticky Fingers,”
In the American Tree

“Eeeek!!!—Jesus Christ!!!”
“Good Golly!!!—Miss Molly!!!”
“It’s growin, baby—it must be Nine!!!”
“No,” he said—“ INCHES soft.”
“And TWELVE INCHES—when I’m hard”
Oh Lordy, Lordy—I was so shocked
All those young—juicy male hormones
Were still pumping—thru the kid
I started measuring—every night & day
Just think—that stuff’s runnin thru me
No wonder my heart’s—goin like crazy
“Shut up & get in bed”—he tell me
So derisively impatient—to get down
“To bad you’re not a kunt”—he’d say
Maybe I was—maybe I wasn’t
Either way tho—I was flunking out
And the Draft Board—was just waiting
To whisk my nelly ass—to Viet Nam
We were all under the gun—back then
I told them I was married—they smirked
I told them I was gay—“Prove it,” they said
I got down on my—hands & bruised knees
Only after I sucked it—did they say “Okay.”

H=O=N=E=Y

“Honey and Cream,
Silver Queen”
—Lyn Hejinian
“My Life”
In the American Tree

“C’mon, man”—he’d say to me
“Give me some head—before class”
“Oh okay—if I have to” I’d say
Getting him off—quickie before class
Blowing the—back of my head off
With his oozing—Louisiana Luger
He was so mean—and vicious to me
But I liked it that way—Bad Boy sex
Into Rough Trade—rougher the better
Snotty cum—coming outta my nostrils
Erect & quivering—runny with snot
That’s how violent—he got with me
I saw stars at night—shooting away
When he banged my head—really hard
Against the bed’s—beat-up headboard
Sometimes I passed out—couldn’t breathe
With him half-strangling—me to death
The Tree’s Root—way down my Throat

N=O=R=M=A=L

“I was normal”
—Barret Watten
“Plasma”
In the American Tree

Suddenly I’ve got these—new wetdreams
They started again—coming back you know
I was ingesting—much too much spermatozoa
His muy macho—male testosterone wads
They were haunting me—almost every night
Nocturnal emissions—can be so excruciating
Just like during adolescence—outta the blue
Totally consuming—like Proustian flashbacks
Exquisitely involuntary—simply uncontrollable
Miss Tea & Madame Marmalade—what a Story
I started my--reclusive Greta Garbo routine
Wearing sunglasses—to cover-up my eyes
My bloodshot bedroom eyes—so decadent
The more Id I got outta him—3 times a day
The more depraved—and dim-witted I became
I was no longer—a witty gay Southern girl
It was Jekyll & Miss Hyde—all over again
The more male beauty—I got into me
The more depraved I got—it was just awful
But it helped out—being an English major
I was having amazing—insights into the
Depths of Deep South—Decadent Literature
Truman Capote—and Carson McCullers
Eudora Welty—and Flannery O’Connor
Plus Miss Faulkner—the ultimate Dixie Diva
Grande Duchess—Delta Bourbon Queen
Mississippi Madame—Memphis Miss Reba
Yoknapatawpha author—my favorite drunk





Monday, April 2, 2012

Plath’s Poetics


Jasper Johns, Periscope (Hart Crane), 1963

Plath’s Poetics
__________________

"But in the period since Plath’s
mainstream and feminist reception
in the 60s and 70s, much has
changed. Lyric poetry has come
under pressure from Language
writing, and revisionist contextual
and gendered readings have opened
up Plath’s poetics, allowing one to see
her negativity as critical and cultural,
not simply formal and expressive."
—Barrett Watten

How to revise it—
How to get past the
Avant-garde/mainstream

How to subvert it—
How to get past the
Avant-garde/Arielesque

How to transgress it—
Plath/Lowell/Sexton/Berryman
Post-avant/School of Death

How to queer The Bridge—
How to get Boss Cupid back
To Crane’s Brooklyn again


King Sooper


Picasso Man with a Straw Hat
and an Ice Cream Cone - 1938


King Sooper
__________________

“What remains is to fully bring
Plath’s poetics into the framework
of the same cultural logics that
produced The New American Poets—
think of Ginsberg’s A Supermarket in
California, for instance—a revision”
—Barrett Watten

“Walking into King Sooper
after Two-week Retreat
A thin redfaced pimpled boy
stands alone minutes
looking down into the ice cream bin.
—Allen Ginsberg
“Cabin in the Rockies,”
Collected Poems (1947-1997)
_____________

What thoughts are you having kid
peering down into the ice cream bin
hungry with fatigue and wanting something
to cure your aching adolescent hardon
self-consciously letting me watch you

I’m hungry & horny too after my
two-week retreat up by that cabin
there in the Rockies with nothing to do
except sip tea & meditate on Buddha
who never did show up anyway
___________________

the kid & I in the King Sooper
standing way in the back both of us
there shopping for images tonight
like a couple of Whitman badboyz
bored lonely dreaming of sex

Meanwhile the peaches are rotting
with putrid penumbras stinking up the
neon aisles amidst Warhol cans of
tomato soup stacked childless alone
with me queering the avocados
__________________

Up there by the cabin where the
only sound was the wind with me
sitting on a tree stump with nothing
to do except think of Neil Cassidy
nude 18-years-old in bed with me

The frozen blueberry Popsicles look
cool & inviting so does the orange
sherbet on a stick & other frozen
delicacies just waiting to be sucked
sampled swallowed and blown
______________________

Cruising the kid I see him getting
hard down there in his tight jeans
his living breathing pork chop slowly
easing down the side of his leg with
him letting me ogle at it shamelessly

No families shopping tonight
No aisles full of husbands, wives, kids
Not even any grocery boyz other than
The one bending down erect like a
Lost American genealogical tree root
_____________________

What’s the use strolling thru 7-Elevens
letting my imagination lollygag thru
endless WalMart menageries of cheap
Chinese tires and antifreeze specials
Ugly pot-bellied shoppers of Lethe

Well, maybe I did find Buddha after all
being up there all alone in the silent cabin
without bananas, apples, popcorn, candy
no supermarket odyssey to distract me
saving it instead for a young dharma dick?


Sunday, April 1, 2012

The Hammock


The Hammock
__________________

“the stutter
is the plot”
—Charles Olson
Billy Budd

It was late at night—
Billy Budd was in his
Hammock beating-off

With a sudden surge—
Billy shot his copious
Wad on the floor
____________

Like the contents—
Of a soup pan on a
New-swabbed deck

Except that Claggart—
Happened to be
Passing by and…
________________

The greasy wad—
Streamed onto his
Black shiny boots

Without saying anything—
Claggart moved on
Ignoring the accident
_______________

Then his countenance—
Changed and he turned
Around smiling

Billy had just barely—
Recovered from his nasty
Ejaculation and
__________________

Fearing for the worse—
Laid nude pretending
To be sleeping away

While still convulsing—
Unable to conceal
His cumly curvatures
______________

Claggart walked—
Over to Billy there
In the hammock

The Master-at-Arms—
Stood over the kid
Still oozing cum
__________________

Shiny black boots—
Glinting in the dark
Smeared with jizz

Was it merely—
An accident such
A surly thing?
_____________________

The manly squirt—
A spontaneous thing
Just a wetdream?

Billy’s eyes were—
Closed tight as a
Hanged man’s eyes
________________

And Billy was still—
Quivering like a
Plate of Jell-O

When well-hung—
Sailors were hanged
They shot that way
___________________

Claggart smiled—
Playfully tapping his
Rattan on the boy

Sliding the baton—
Slowly down Billy’s
Hard flat belly
_______________

“Handsomely done—
Billy Boy, my lad,”
Claggart said slyly

“And Handsome is—
as Handsome does!”
Going down on him
_________________

Billy the Stutterer—
Stuttered helplessly
Every slutty night

Both Vere & Claggart—
Sharing the handsome sailor
Between them greedily
____________

“God Bless, Capt Vere!”—
Billy would say afterwards
In the captain’s chambers

“Damn you, Claggart!”—
Billy would say hissing at
The Masturbator-at-Arms
____________

A slow roll of the hull—
A ponderous surge of
Those great ocean waves

Like a moody Diva—
Recovering from the
Periodic roll to seaward
_____________

Regaining an even keel—
After the last precious
Unwilling hammock blow

Billy Budd’s climax—
Hung there in the hammock
Hanging later from the mast
______________

Either way Billy Budd—
Was unwilling to let it show
His virile Vulnerability

Each time Billy came—
A strange dumb gesturing
And gurgling came outta him
_______________

Convulsing tongue-tied—
Straining indifferently
In agony & teen aloofness

A condemned vestal virgin—
A priestess buried alive
On a Ship of Fools
________________

A startling Impoliteness—
Then suddenly a violent
Paralysis and discharge

A young athlete’s groan—
Claggart going down
His mermaid manly lips
_____________

“Fatal boy,” Vere says—
When Billy comes to his
Cabin for sloppy seconds

Bracing the boy’s loins—
Into a standing position then
Getting him back down
_________________

Shooting his manhood—
Turing his face away from
Captain Vere’s eager eyes

Foretopman foreskin—
Captain’s hammock boy
Indecent Sea valet
___________________

Claggart so jealous—
Hot for coxswain cock
Gagging on it nicely

Knowing the youth’s—
Rich violet blurring
Muddy purple dickhead
____________________

Mesmerizing glans—
Uncoiling the kid’s snake
Queen of Cobra Island

Both older men spoiled—
Touched to the quick
By Billy’s sullen innocence
_______________

Both men crucified by—
Their desires & pent-up
Uncouth wantonness

The way Billy stuttered—
Despite his violent attempts
To control his convulsions
_____________

Struggling like a flying fish—
Outta water flopping around
Helplessly there on deck

Satisfied only by Billy’s—
Lost innocence dying slowly
In his hammock below deck
______________

Billy Budd straining—
His swollen Nut ending up
Smearing his canvas coffin

Both Vere & Claggart—
Knowing all too well he’d
End up down in Davy’s Locker
________________

Boss Cupid sailor boy—
Hung by the neck till dead
That’s what they wanted

Whether slowly at night—
Below deck in the dark
Deep in the depths
______________________

Or up there on deck—
Swinging from the yardarm
Squirting his brains out

Billy couldn’t help it—
Claggart was so pushy and
Captain Vere insistent
____________________

Sooner or later—
Billy would end up the
Hanged Man pretty soon

The Bellipotent moaned—
And groaned with the
Sea-surge’s lost innocence
_______________

The ship’s timbers ached—
Swinging hammocks swung
And Claggart got his fill

Poor Billy Budd—
The Handsome Sailorboy
Feigned fear & hung on
_____________________

Deadly afraid of Claggart—
Knowing it was surely
Death if he didn’t let him

Claggart with his reputation—
For dumping young sailors
Overboard for not putting-out
__________________________

Shipboard life was—
Secretive yet everybody
Knew the tricks of the trade

Young sailors like Billy—
In demand because they
Weren’t tainted with VD
______________________

Claggart couldn’t stand—
Sharing Billy with Capt Vere
Things would get ugly soon

The Bellipotent wasn’t the—
First ship plagued by vulgar
Mutiny by a Pretty Boy…
__________________

Claggart guilted Billy—
Forcing him below deck
Every chance he got

All the other sailors—
Simply shrugged so what?
Life at Sea wasn’t Pretty
____________________

Claggart the queer—
Masturbator-at-Arms
Knowing what he wanted

Billy Budd for dinner—
All those Caviar Tears
Tres Sushi Boy Deluxe!
_______________________

Claggart wanted to—
Annihilate Billy’s
Innocence with guilt

Making him his—
Unwilling Accomplice
Sexually his Slave
____________________

Decadent yearnings—
Indecent greedy lips
Wanting Billy Boy Blue

Claggart was desperate—
Hiding his Loneliness
By corrupting Billy Budd
________________________

Pulling Billy down—
All the way down with him
Into depths of despair

Capt Vere not much—
Better standing Erect
And tall as a musket
___________________

Keeping the façade—
Of the Royal Navy intact
Even tho rotting inside

Billy Budd caught—
Between the Devil and
The Deep Blue Sea
_____________________

He could only—
Stutter & look away
During each awful lay

Both Vere & Claggart—
Taking the kid for a ride
Fucking & sucking him silly
____________________

Poor Bellipotent Boy—
So exquisitely shy when
Commandeered at Sea

Shanghaied shamelessly—
By those with an eye for
Fine young Male Beauty
__________________

Subjecting him to their—
Brute Force soliloquy sung
On deck just for him

Billy Budd’s Swan Song—
Dancing at the end of his
Tight taunt jerking Rope