Chimes Street Journal IV
____________________
Possession
A Journal
Plural Possession
Mardi Gras
Mistress of the Meat
____________________
Possession
“I am possessed”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
another long night—
spent in those slack hours
between typing this or that
she slips off into boredom—
oblivion, her eyes sinking
back into her head
burnt-out sockets empty—
writing needs a loverboy
but web of words is gone
A Journal
“a scene of its own”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
her head & mind—
run-down so that even
thought needs recharging
but sometimes queerly—
on its own for its own sake
gay words catapult back
images have lives—
of their own demeanor
they lurk, they smirk
Plural Possession
“I speak in plural”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
so there’s more—
than just one hand or one
voice or one image
it speaks pluralities—
lip-synching what’s getting
ménage-a-trois done
____________________
Possession
A Journal
Plural Possession
Mardi Gras
Mistress of the Meat
____________________
Possession
“I am possessed”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
another long night—
spent in those slack hours
between typing this or that
she slips off into boredom—
oblivion, her eyes sinking
back into her head
burnt-out sockets empty—
writing needs a loverboy
but web of words is gone
A Journal
“a scene of its own”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
her head & mind—
run-down so that even
thought needs recharging
but sometimes queerly—
on its own for its own sake
gay words catapult back
images have lives—
of their own demeanor
they lurk, they smirk
Plural Possession
“I speak in plural”
—John Wieners,
“7/13/59,” The Journal
of John Wieners
707 Joy Street
so there’s more—
than just one hand or one
voice or one image
it speaks pluralities—
lip-synching what’s getting
ménage-a-trois done
his legs & arms—
old as alabaster, eyes
ancient as the nile
Mardi Gras
“a belly full of goodies
for the Bayou King.”
—John Wieners,
“7/17/59,” The Journal
of John Wieners
707 Joy Street
what else can poets do—
other than write poems
old words, new tempos
the dope addicts—
sell their asses on the street
politicians play ponzi games
she becomes who—
she's in bed with, down to
the last crummy little squirt
Mistress of Meat
“We awake to
chaos & desire”
—John Wieners,
“7/17/59,” The Journal
of John Wieners
707 Joy Street
it chokes her throat—
puts tears in her eyes
but it’s all she can do
her mind works—
the way a poem reveals
itself unashamedly
she doesn't write—
the dark room writies
it's always been that way
Mistress of Meat
“We awake to
chaos & desire”
—John Wieners,
“7/17/59,” The Journal
of John Wieners
707 Joy Street
it chokes her throat—
puts tears in her eyes
but it’s all she can do
her mind works—
the way a poem reveals
itself unashamedly
she doesn't write—
the dark room writies
it's always been that way
No comments:
Post a Comment