Wednesday, November 9, 2011

Wilde Boyz



Wilde Boyz
__________________

“Breton faults
Rimbaud for being
insufficiently comic”
—Edmund White
Arthur Rimbaud:
The Double Life of a Rebel


____________________

Wilde Boyz
Languor
Circumcision
To Madame X
Miss Nabokov
O La Femme!
Capellos de Angelos
(Spanish delicacy)
Reversibilities
Vẻnus Anadyomẻme
__________________________

Wilde Boyz
—for Charles Morice

boyz above everything—
the imbalanced few preferred
vaguer than older queens

nothing weighty, heavy—
don’t go mincing your words
hot guyz are the main thing

some confusion of vision—
is permitted, shadowy dates
where precision weds indecision

it’s those beautiful eyes—
concealed by masters degrees
cute MFA’s in quivering moonlight

we always desire nuance—
not brains, Nuance evermore!
only nuance alone can do!

we flee from murderous—
epigrams, cruel wit and satire
we prefer IQ to high azure

and all that gay posing!—
take eloquence, wring its neck!
you’d do quite well, if you’re cute!

boyz once more & forever—
let your line be a thing so light
soaring in flight to fresh lovers

let your line be your finest—
adventure until tense dawn dies
all the rest — is literature

(Jadis et Naguère: Art Poétique)

Languor
—for Georges Courteline

i am the empire—
at the end of decadent days
making pale tall barbarians cum

while composing poetry—
in my homosexual indolence
it’s gilded style which I portray

the setting sun’s languor—
aches with a vague ennui that
once saw bloody battles fought

but lacking power now—
the empire is so feeble that
this tardy prayer means nothing

why embellish reality—
when one lacks the will & power
to even proudly die a little!

it’s all so laughably foolish—
everything is decaying anyway
these decadent times who cares?

(Jadis Et Naguère: Langueur)

Circumcision
—for Arthur Rimbaud

give me your foreskin—
let me peal it back, hold
your breath, let me blow you

let your great tree—
die swaying in the breeze
beneath grey branches, come

let soft, tender rays—
of the moon caress you
closing your eyes

not thinking, dreaming—
let love have its moment
let happiness expire

let’s forget to hope—
discreet, content, each
of us calm as quiet death

we’ll rest, silent, peaceful—
this sleep our lovely nocturne
despite nature and my wife

(Jadis Et Naguère: Circonspection)

To Madame X…
—for Paul Verlaine

(On sending me a pube)

when you loved me—
were you sure sending me
a sweet and dear little pube?

a lovely emblem
its message so pure
love homoerotique!

declaring your heart—
was mine for evermore
after that first blowjob…

the years have passed—
just look at us now
a couple of old wrecks

yet i still keep it though—
to remind me of that gay
seminal glory hole tryst!

was it really yours?—
i’ve had so many pubes
between my teeth since then

alas! memory is often lost—
to the four winds went it comes
to that flowery tearoom art

and this humble pube?—
i wonder seriously if it still
remembers that hot night?

(Fleur-des-veuves, Scabiosa atropurpurea)

Miss Nabokov
—for Vladimir Nabokov

nabokov conquered—
all the girls including lolita’s
amusing hula-hoop lusts

his perverse inclination—
for a virgin girl’s lovely flesh
tempted so by their little tits

he was conquered by lolita—
her subtle heart, her cool arms
her provoking boyish breasts

turning his back on—
the weighty trophies of those
young male charms sergey prefers

vladimir the Montreaux palace—
rich quintessential monarch of
sacred holy pierced pussy

O La Femme!
—for Mathilde Verlaine

o my wife mathilde!—
prudent pussy, calm twat
my hateful enemy wife

showing no pity for me—
no half measures in your victory
killing the wounded without mercy

plundering the spoils—
extending flame and steel
even to distant young arthur

oh fickle wife always—
so good and gentle, often too
gentle like sleeping snake

you lull in your leisure—
you used to intrigue me but
now all you do is put me to sleep

sometimes that sleep—
can be like delicious death that
my soul desperately yearns for

but you never give up—
you insistent bourgeois bitch
you insult my manhood with remorse

here i am man of the house—
but i can’t even cavort with my
youthful parnassian poet friends

this is my last farewell—
you’ve queered me like a yew
tree since my fall from eden

(Amour: Lucien Létinois III)

Capellos de Angelos
(Spanish delicacy)

an ugly youth—
wildly blonde with venus’ flair
for debauching a whole army

but he’s mine nevertheless—
that mane of his dark curls
turns me on from head to toe

he’s more pleasing to me—
than the pure golden fleece
his pubes like wiry fire

it’s simply hopeless—
i’m his humble slave and
he’s my remorseless master

her rare sweet body—
so smooth, so rosy white like
his creamy pure jizz-jet

sweet thighs, taut tits—
nipples, flat belly a feast
for my ogling perverted eyes

my darling boy—
enough of this enchanting
schmooze, let’s go to bed!

(Parallèlement: Filles I, À la Princesse Roukhine)

Reversibilities
—for Paul Verlaine

i listen to the sounds—
you make when we’re in
bed making love

what came before—
comes & comes again
yet i cry & cry for more!

the infernal river—
of love flows on & on
now is our forever!

what terrifying dreams—
even to think for a minute
forever could be never!

you die so very softly—
in our bedroom’s darkness
without witnesses to know

there’s no redemption—
once more is now again
but how many times left?

(Parallèlement: Réversibilités)

Sleeping Beauty Dreams…
—for Lucien Létinois

sleeping beauty dreams—
my cinderella boy dozes
he’s my blue-beard wife

he waits for his brothers—
he’s my hop-o’-my-thumb
and i’m his big old fat ogre

bird-the-colour-of-time—
glides through our bedroom
caresses his hedgerow pubes

dense and low, creaming—
the milking, the sowing, the
hay-making and all the rest

the wheat in the fields—
his husbandry and his taste
silken skin in straw-gilded dark

the ardennes simply flowers—
giving birth to boys like rimbaud
they come & come, then they go

donkey-boy returns—
from the neighbouring estate
the soup cooks and stirs itself

(Amour: Lucien Létinois XI)

Vẻnus Anadyomẻme

rimbaud’s head—
heavily pomaded
a green zinc coffin

emerges slowly—
and stupidly from
his old bathtub

with bald patches—
rather badly hidden
his spine a bit red

he has a smell—
strangely horrible
do you notice it?

his fat gray neck—
broad shoulder-blades
sticking out grotesquely

his back curves—
the roundness of his
butt sagging, receding

his ass appears thin—
two tattooed words:
CLARA VENUS

his whole body moves—
hideously beautiful with
an ulcer on his anus

Tuesday, November 8, 2011

True Confessions

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Monday, November 7, 2011

Interview with Rimbaud



Interview with Rimbaud
__________________

[“Oh, look! She’s palming!”—James Merrill]
__________________________

the room breathes—
queer white lace curtains
fluttering thru windows
_______________________

[Backdrop. The dining room at Stonington.]
______________________

“I miss those times—
with young Rimbaud…
the devil boy’s jizzy
jet oozing thru me
like the great god Pan!”
—Paul Verlaine
_____________________

miss verlaine—
parnassian pimp
of the avant garde

one of the queens—
the wilde boyz back
then in gay paris

gautier’s salon—
contemporary parnassus
art for art’s sake

poets serving—
only the Beautiful
the rest is ugly
____________________

you disgust me—
i’m full of revulsion
fidgety, flummoxed

rimbaud’s mildewed—
mouth sticks out its
tongue, smirks

a thousand pale—
male angels vanish
down the road

arthur disappears thru—
france, miss verlaine
chases behind him
__________________

“He was, I think, a homosexual”—Izambard
_________________

izambard—
that zanzibar snake
in eden’s garden

that’s what—
rimbaud’s mother
thought about him

exposing arthur
her precocious child
to evil Literature
_________________

[“I is another person.”—Arthur Rimbaud]
______________

signaling other poets—
baudelaire’s “les phares”
down thru the ages

like lighthouses—
blinking to each other
in the vast darkness

antique teenage—
riot of cupid boyz
young male voyants

timorous queens—
olympian ganymedes
the usual trade
__________________

[“Someone who can jot down virtually anything that he senses, detects and perceives”—Edmund White]
_______________________

rimbaud’s nostalgia—
for filth, learning it
from baudelaire

izambard’s aunts—
rimbaud nude in douai
the ladies charmed by him

silence as they groom—
the drowsy boy’s pubes
crushing his precious lice
_________________

rimbaud is sitting—
in the muse out-house
shitty boy gargoyle

looming over paris—
even tho still here in his
quaint ardennes hometown

out of his gloom—
grotesque haunting
artesian forces forming
__________________

naked in bed—
busy feeling up his
teenage dark angel

sucks him off—
shiny bald head and
whiskers that tickle

the bedroom door—
is locked even tho his
poor wife wants in

she pouts her lips—
fitfully letting verlaine
fondle rimbaud’s huge cock
____________________

at the green cabaret—
under the green table
absinthe gets its way

verlaine down there—
rimbaud letting him do it
french kiss him…slowly

a spider crawls up—
his muscular hard leg
after miles of walking

vagabondage boy—
his sandals with wings
his comings & goings
__________________

the pleasures of art—
daydreaming, masturbation
lots of smoking hashish

venus androgyne—
goddess of love with
a body that won’t quit

moody commune boy—
parisian revolutionary
a boil on his butt
_________________

Tortured Lips
—for Arthur Rimbaud

My sad lips drool—
Soaked in tobacco spit
Slimy with cum

The spit streams—
Drools from my lips
I’m a cocksucker now

Out of the closet—
Insultingly degrading
I know the truth now

I like soldiers’ pricks—
I love to give blowjobs
To butchy young soldiers
_______________________

I know it sounds—
Dirty and disgusting but
Marital cum excites me

Have you ever tasted—
How thick and virile young
Men’s bayonets can be?

Sweet and thick—
Stripped of their uniforms
Truant tobacco juice?

Not up the bunghole—
It hurts much too much
My lips are more girl-like…
______________________

After a blowjob—
I’m somebody else
It’s quite obvious to me

Explosions of thought—
Excruciating ejaculations
Both the same thing

Let str8t poets write—
Denounce our faggotry
Dominate academe

Let bourgeois writers—
Opine about pussy and
Worship their whatever
_______________________

Meanwhile

meanwhile queer writers—
wilde boy young poets
performing today

tell me, have these sorts—
of fags ever existed this
way before, my dears?

without supernatural—
lucidities, falsely elegant
baudelaire artsy drag

they follow rimbaud—
these little love birds
gay contessa boyz
_____________________

sheer mendacity—
maudlin mountebanks
homoerotic fairytales

queer soap operas—
miserable miracles
true confessions

gay pulp fiction—
queen for day comics
marlene cabaret drag
_______________________

“When he wanted to court someone, he couldn’t help but offend”—Edmund White
___________________

Vowels

A noir—
inventing a dinge
queen poetics

E blanc—
priding myself in
being white-trash

I rouge—
baton rouge drag
coming outta the closet

O bleu—
singing the blues—
big easy cocksucker

O vert—
down by the levee
hot cane-field lover
_____________________

lovely calla lilies—
enemas of ecstasy
young hustler excrement

then came verlaine—
trailing tulips from her
tragic absinthe thighs

fascinated by the—
intensely emerald
sugar cute green fairy

aperitifs after five—
at the café de gaz
a parnassian lush
_____________________

a tortured queen—
both clown & undertaker
brutal husband, wrench

frequenting salons—
remembering ancient
fake watteau ecstasies

ineffable happiness—
blue skies remembered
false ardor and lies

Sunday, November 6, 2011

Thomas



Robert Mapplethorpe
“Thomas” (1986)


Thomas
__________________

“garishly lighted
it has lost its
bronzed patina”
—Richard Howard
“The Mapplethorpe Effect”
Paper Trail
________________

arching in darkness—
tangential to white arc
the dinge frontal nude

garishly lighted—
losing its exquisite
bronze patina

genitals treated—
as the body’s limp
disgraced member

troubled references—
to classical canons
of whitey wholeness
_____________________

mapplethorpe’s thomas—
leans upward, reaches
grasping at the light

his hands cropped—
his ascension depends
on his organ of erection

his strong legs—
stretching down from
double socle thighs

mapplethorpe's models
reservoirs of headlong
plunging downwards

Dennis Speight



Dennis Speight (1983)
__________________

“Seeing things like
they haven’t been
seen before”
—Robert Mapplethorpe

“a sort of
seminal bouquet”
—Richard Howard
“The Mapplethorpe Effect”
Paper Trail
________________

the sheaf of six—
calla lilies held
by dennis speight

a dinge bouquet—
portraying light and
darkness formally

mapplethorpe’s—
black nude males so
isolated, solitary

calla lily drama—
gestural dialog between
black & white forms
___________________




speight spurts—
lyric efflorescence
smoke, lilies, jade

calla version of—
“man in polyester suit”
unabashed maleness

pairing calla lilies—
with sleek blackness
dinge queen lite

stereotypes are—
reversible, high
fashion gay porno
_____________________

displaying blackness—
flaunting it instead of
hiding it, my dears

parody hovers over—
dennis speight’s body
never seen before

flowing smoothly—
thru calla lily bouquet
rather than polyester

new anatomies—
inadmissible analogies
misunderstood relations
_______________________

calling forth the—
“secret’st man of blood”
suavely figured

the young black body—
independent of the male
organ of erect or limp

this subtle suggestion—
there’s a man in polyester
there in the elevator

simply going to work—
ponderous penis pushing
downward for all to see
_______________




a repertoire of gasps—
secretarial pulsations
reservoirs of ascension

distended continuous—
contestation of veiny heft
solemnity of slave effigy

headlong prized patina—
white calla lilies straining
under the dark weight

engorged with blood—
momentary male victory
transpicuous with energy
_______________________




shocked faces ogling—
forbidden appetites, flesh
pulling, ponderating down

sense of endowment—
bearing downward what
aspires to rise erect

to mount expression—
potency of male rhythms
as the floors slide by

newly revealed eros—
arresting pelvic landscape
rising reaching up floors
_______________________

dense, onerous jungle—
long muscles, delicate veins
burdensome, unredeemed

impringing everything—
used to anglo-saxon
phallic transcendence

revealed for them now—
cheap Korean polyester
dinge sacred/profane

managers go down-low—
grimly obsessed with fatal
blowjobs on their knees
______________________

the elevator gets stuck—
darkness contests with
ecstatic groping mouths

the muzak continues—
a scarlatti sonata enters
the darkness polyester


Richard, What's That Smell?



Richard, What's That Smell?
__________________

“No bird hath
so sweet a voice”
—Richard Howard
“Richard, What’s That Noise?”

just a mere fart—
my invitation to rim-job
take it or leave it

from dodecagonal belfry—
to volcanic-tufa promontory
i have this massive asshole

my duomo ruins loves—
guyz like you, my dear
butchy night-watchmen

hear those nightingales—
singing fifteen nights long
they have such a shrill song!

Saturday, November 5, 2011

Bad Blood



Bad Blood
_________________

Bad Blood
Bad Sugar Daddy
Bad Vibes
Bad Male Hustler
Bad Chicken
Sham Negroes
___________________

Bad Blood

“my Gallic ancestors”
—Arthur Rimbaud
“Bad Blood”
A Season in Hell

i’ve got blue eyes—
like my no-good father
my gallic ancestors

my narrow skull—
my clumsiness in love
barbarous nakedness

my lust, lying, sloth—
a horror for working
honesty sickens me

Bad Sugar Daddy

“Seen enough
Had enough
Known enough”
—Arthur Rimbaud
Illuminations

if only miss verlaine—
had been more bourgeois
less poète maudit

a better sugar daddy—
rather than dizzy french
bon vivant fuck up

then maybe we—
could have had a gay
marriage not nightmare

Bad Vibes

“What a fool I am”
—Arthur Rimbaud
“Bad Blood”
A Season in Hell

my lost innocence—
my lost boyish timidity
it’s done & over with

i’m not going back—
over that old road again
my flourishing vices

betrayals & disgusts—
i prostituted myself to
the wrong brutish man

Bad Male Hustler

“To whom shall
I hire myself out?”
—Arthur Rimbaud
“Bad Blood”
A Season in Hell

i’m utterly fucked—
offering my impulses
to perfection scorned

marvelous clarities—
withering now in some
rotting suffocating coffin

abnegation, divorce—
what else can i do with
myself such a fool

Bad Chicken

“Still but a child”
—Arthur Rimbaud
“Bad Blood”
A Season in Hell

even as chicken—
i admired teen convicts
in inns, rooming houses

on winter nights—
i got drunk with them
the same in paris

they taught me evil—
sex with thunder-bolts
between their legs

Sham Negroes

“Vous êtes de faux nègres”
—Arthur Rimbaud
“Bad Blood”
A Season in Hell

my eyes closed—
to maniacs, fiends
and whitey misers

merchants of death—
you are sham negroes
kings, judges, generals

we’re all negroes—
children of ham slaves
dinge diaspora ours