WPA Poetics
__________________
“DO SOMETHING”
—Amiri Baraka,
“Cultural Revolution
and the Literary Canon,”
Disembodied Poetics
I was in love—
With Ahmos ZuBolton
But he was in love
With Somebody else
I’d never met—
Anybody like him
A poetry dude who
Lived and wrote it
He was in love—
With poetry and
Poetry was is love
With him real bad
____________________
Allen Hall at LSU—
Was Dis the Capitol
Chattel slave Empire
On campus back then
New Criticism ruled—
The Southern Agrarian
Movement solipsistic
And racially elitist
Robert Penn Warren—
Taught at LSU and
Preached a chauvinistic
Southern Sermonette
____________________
The Delta Muse—
For Miss Tate, Ransom,
Miss Brooks & Warren =
Dixie Drag Greek Attic
This so-called Diva—
Madame New Lit Crit
Was just the same old
Plantation jive for me
Painstakingly whitey—
Highly closeted, mannered
And cold as a Witch’s Tit
With cotton field poetics
____________________
ZuBolton was one of—
The first black young men
Permitted to walk on the
Newly desegregated campus
Tempers flared when he—
Pressed for new poetry to be
Taught rather than the same
Old butchy Hemingway jive
The shocked professor—
In our creative writing class
Was aghast at such a new
African-American revolt!
____________________
But the Black & Gay Arts—
Movement kept growing
From the Harlem Renaissance
Forward to Black Mountain
The old literary canon—
Accreted and selfishly
Self-aggrandized by the
Southern Aristocrats failed
Even though MLK—
JFK, RFK, Malcolm X and
The Kingfish of Louisiana
Were assassinated
____________________
Goebbelsmania—
Global protofascism
Gas chamber logic
Goosestepping world
Southern plantation—
Sutpen supremacists
Slick supercilious racism
Still thrives, survives
Banana Republic jive—
Pinochet Planet agitprop
So much for gay rights
And then came the plague
____________________
But even so—
The muse was in-motion
Everything moving fast in
Mother-fucking English
And amidst all that—
I fell in love with this
Young grandson of a slave
Who freed me back then
__________________
“DO SOMETHING”
—Amiri Baraka,
“Cultural Revolution
and the Literary Canon,”
Disembodied Poetics
I was in love—
With Ahmos ZuBolton
But he was in love
With Somebody else
I’d never met—
Anybody like him
A poetry dude who
Lived and wrote it
He was in love—
With poetry and
Poetry was is love
With him real bad
____________________
Allen Hall at LSU—
Was Dis the Capitol
Chattel slave Empire
On campus back then
New Criticism ruled—
The Southern Agrarian
Movement solipsistic
And racially elitist
Robert Penn Warren—
Taught at LSU and
Preached a chauvinistic
Southern Sermonette
____________________
The Delta Muse—
For Miss Tate, Ransom,
Miss Brooks & Warren =
Dixie Drag Greek Attic
This so-called Diva—
Madame New Lit Crit
Was just the same old
Plantation jive for me
Painstakingly whitey—
Highly closeted, mannered
And cold as a Witch’s Tit
With cotton field poetics
____________________
ZuBolton was one of—
The first black young men
Permitted to walk on the
Newly desegregated campus
Tempers flared when he—
Pressed for new poetry to be
Taught rather than the same
Old butchy Hemingway jive
The shocked professor—
In our creative writing class
Was aghast at such a new
African-American revolt!
____________________
But the Black & Gay Arts—
Movement kept growing
From the Harlem Renaissance
Forward to Black Mountain
The old literary canon—
Accreted and selfishly
Self-aggrandized by the
Southern Aristocrats failed
Even though MLK—
JFK, RFK, Malcolm X and
The Kingfish of Louisiana
Were assassinated
____________________
Goebbelsmania—
Global protofascism
Gas chamber logic
Goosestepping world
Southern plantation—
Sutpen supremacists
Slick supercilious racism
Still thrives, survives
Banana Republic jive—
Pinochet Planet agitprop
So much for gay rights
And then came the plague
____________________
But even so—
The muse was in-motion
Everything moving fast in
Mother-fucking English
And amidst all that—
I fell in love with this
Young grandson of a slave
Who freed me back then
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