Negative Capability Poetics
__________________
Negative Capability
The idea being—
To apply Keats’
Negative Capability
To Sylvia Plath
____________
The way that—
John Berryman
Applied it to
Mistress Bradstreet
__________
The way that—
Susan Howe
Applied it to
Emily Dickinson
___________
The way that—
Jack Spicer
Applied it to
Federico Garcia Lorca
_____________________________
Poets Working Together
“to meet the work
with writing”
—Susan Howe
Postmodern Poetry:
The Talisman Interviews
____________
She doesn’t trust writers—
She only trusts the story
And the place
The story & the place—
Tied together in strange
Mysterious, profound ways
___________
She trusts the story—
To form its own voice
Like Spicer “After Lorca”
To take Lorca & duende—
Outside his language and
Recast it somehow ours
_____________
Like Howe reading to—
Rewrite Emily Dickinson
To Unwrite the Male Muse
It takes another poet—
To do the urgent task of
Undoing Johnson’s editions
____________
The actual physical act—
Of where the Line breaks
In Dickinson’s letter-poems
And Emily’s poem-letters—
The textual problems
With Harvard Lit Crit
__________
The way males treat Emily—
Her handwritten productions
Chauvistically manhandled
Instead Howe meets Emily—
Working thru writing not
Explaining or translating
________________
To meet Emily in time—
Not just place to place
But writer to writer
Mind to mind—
Friend to friend
And poet to poet
____________
Disintegrating Male Archives
Not to tribute Emily—
But meet her in tribute
“My Emily Dickinson”
___________________
Nixon’s Archives—
Full of perpetual lies
And political ironies
The gaps & silences—
The erasures and the
Watergate cover-ups
____________
The same with the
Plath & Dickinson archives
Such stupid Male Lit Crit
What do we know—
What does anybody know
Who rules these Archives?
_________
Are Poets reliable?—
Is Poetry any more
Reliable than Prose Lit Crit?
Subversive Narratologies—
The politics and poetry
Of Plath and Dickinson
______________
Beginning with fragments—
Bits and pieces of a text
Ensorcelling the reader
Ensconced in euphoria—
Wordhorde weirding way
With Negative Capability
_________________
Sunday 21 Dec. 1817
Hampstead Sunday
MY DEAR BROTHERS:
____________________
What quality went to—
Form a Man of Achievement
Especially in Literature
I mean Negative Capability—
When a man is capable of
Being in uncertainties,
________________
Mysteries, doubts, without
Any irritable reaching after
Fact and reason (Coleridge)
Letting go by a fine isolated
Verisimilitude caught from the
Penetralium of mystery, being
_______________
Capable of remaining content
With half-knowledge. A poet
With this sense of Beauty
Overcomes every other
consideration, OBLITERATES
all other considerations
__________________
Negative Capability
The idea being—
To apply Keats’
Negative Capability
To Sylvia Plath
____________
The way that—
John Berryman
Applied it to
Mistress Bradstreet
__________
The way that—
Susan Howe
Applied it to
Emily Dickinson
___________
The way that—
Jack Spicer
Applied it to
Federico Garcia Lorca
_____________________________
Poets Working Together
“to meet the work
with writing”
—Susan Howe
Postmodern Poetry:
The Talisman Interviews
____________
She doesn’t trust writers—
She only trusts the story
And the place
The story & the place—
Tied together in strange
Mysterious, profound ways
___________
She trusts the story—
To form its own voice
Like Spicer “After Lorca”
To take Lorca & duende—
Outside his language and
Recast it somehow ours
_____________
Like Howe reading to—
Rewrite Emily Dickinson
To Unwrite the Male Muse
It takes another poet—
To do the urgent task of
Undoing Johnson’s editions
____________
The actual physical act—
Of where the Line breaks
In Dickinson’s letter-poems
And Emily’s poem-letters—
The textual problems
With Harvard Lit Crit
__________
The way males treat Emily—
Her handwritten productions
Chauvistically manhandled
Instead Howe meets Emily—
Working thru writing not
Explaining or translating
________________
To meet Emily in time—
Not just place to place
But writer to writer
Mind to mind—
Friend to friend
And poet to poet
____________
Disintegrating Male Archives
Not to tribute Emily—
But meet her in tribute
“My Emily Dickinson”
___________________
Nixon’s Archives—
Full of perpetual lies
And political ironies
The gaps & silences—
The erasures and the
Watergate cover-ups
____________
The same with the
Plath & Dickinson archives
Such stupid Male Lit Crit
What do we know—
What does anybody know
Who rules these Archives?
_________
Are Poets reliable?—
Is Poetry any more
Reliable than Prose Lit Crit?
Subversive Narratologies—
The politics and poetry
Of Plath and Dickinson
______________
Beginning with fragments—
Bits and pieces of a text
Ensorcelling the reader
Ensconced in euphoria—
Wordhorde weirding way
With Negative Capability
_________________
Sunday 21 Dec. 1817
Hampstead Sunday
MY DEAR BROTHERS:
____________________
What quality went to—
Form a Man of Achievement
Especially in Literature
I mean Negative Capability—
When a man is capable of
Being in uncertainties,
________________
Mysteries, doubts, without
Any irritable reaching after
Fact and reason (Coleridge)
Letting go by a fine isolated
Verisimilitude caught from the
Penetralium of mystery, being
_______________
Capable of remaining content
With half-knowledge. A poet
With this sense of Beauty
Overcomes every other
consideration, OBLITERATES
all other considerations
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